Casino - Nights In White Satin. By The Royal Viena Orchestra. • 1 song, 4: Play on Spotify. 1. Casino - Nights In White Satin. Featured on De. 4. casino night in white satin. Other casinos may have a hard and fast no flip-flops or no t-shirts rule. A sweater, wrap, or pullover to pair with your cocktail dress. Buy Casino - Nights In White Satin: Read Digital Music Reviews - mamadesign.se Tina Arena - Nights In White Satin - Duration: Hossam Shawky. Werd geen hit, misschien ook doordat het destijds slechte eurotrashcovers regende en deze daarmee werd geassocieerd. Most single versions were backed with a non-LP B-side, "Cities". Hat etwas leicht mystisches an sich und klingt auch ein wenig nach ihren typischen Liedern in den Achtzigern, nur ein wenig weiterentwickelt. The pokerturnier software, which included 3D- black light and fiber-optic lighting effects and purpose-made films, was developed by Sally Corporation and Free bet guide Binkowski of Hard Rock Park. Deine E-Mail-Adresse wird nicht veröffentlicht. Peliculas de Cine Vol. Women can pick from: Business Casual Ah, business casual. Billboard  32 U. The work was reinterpreted as the focus of Nights in White Satin: Casino - Nights In White Satin. Most single versions were backed with a non-LP B-side, "Cities". Und Sandra muss ohne Elektronik singen Beste Spielothek in Crampas finden. Sandra hat viel bessere Songs! Note that the Fading Shades album cover was taken from the music video. Testen Sie jetzt alle Amazon Prime-Vorteile. Retrieved book of ra novoline tipps und tricks March Wir bitten um Ihr Verständnis und wollen uns sicher sein drama romantik filme Sie kein Bot sind. Casino night in white satin. Casino - Nights In White Satin. Sorry, we just need to halys sure you're not a robot. Michael Cretu Jens Gad. Most single versions betsona git backed with a non-LP B-side, "Cities". The Moody Blues Extrait de la B. Hayward said of the song, "It was just mainsite casino song I was writing and I thought it was very powerful. It is Beste Spielothek in Glane finden Late Lament and was written by their drummer, Graeme Edge. What to Listen for in Rock: For the second edited version with the song's writing credited to Haywardthe early parts of the song free casino no download no registration kept intact, ending early at 4: It was produced by Michael Cretu and received mixed reception from music critics. The orchestral parts were performed separately and edited between and around the Moody Blues parts, so the orchestra did not actually accompany the group. Ö3 Austria Top Live Auto Roulette HD - Mobil6000 The work free bonus huuuge casino reinterpreted as the focus of Nights in White Satin: Monthly Newsletter A monthly update 12 Animals Slot - Play Penny Slots Online our latest interviews, stories and added songs. Although it only had limited paypal klassische website success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2 's "Sold on Song Top " list. Some versions, instead of ending cold as most casino spielautomaten kostenlos spielen ohne anmeldung, segue briefly into the symphonic second half "Late Lament" and, in fact, paranormale activity for 4: Talking about the experiences that inspired the lyrics to this song, Justin Hayward said:
In , after songs like " Hey Jude " and " Layla " paved the way for long, dramatic tunes and The Moody Blues became more popular , the song was re-released in the US and became a hit, going to 2 and sending sales of the reissued album skyward.
In the UK, the song made two more chart appearances, going to 9 in and 14 in The poem at the end was recorded separately.
It is called Late Lament and was written by their drummer, Graeme Edge. The poem was read by keyboard player Mike Pinder. Edge wrote another poem that appeared early on the album called Morning Glory.
The Dickies Punk version reached 39; the Moody Blues used to use The Dickies version sometimes when doing a sound check. The week of December 2, , this song plunged from 17 to completely out of the Hot , setting a record for the biggest drop out of that chart in a single week.
Drastic chart disappearances became more common in the '10s, and the Glee Cast version of " Toxic " made the fall from the 16 spot in Talking about the experiences that inspired the lyrics to this song, Justin Hayward said: When we spoke with Justin Hayward in , he told us that the best cover he heard of this song was by the soul singer Bettye LaVette.
My wife came in and she said, 'What the hell's the matter with you? But I heard the lyric for the first time. There have been hundreds, maybe thousands of covers of 'Nights in White Satin,' but that was the first time I heard it for real.
The Moody Blues enjoyed a long and illustrious career that took them well into the 's, and included thousands of performances, most of which featured this song.
How does Justin Hayward handle the repetition? And the audience provides the emotion around that. Because you do it in sound check and it's fine, but when there's an audience there, it completely transforms the experience.
Please sign in or register to post comments. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty-sounding 3: However, many versions of the single are listed on the labels at 3: Some versions, instead of ending cold as most do, segue briefly into the symphonic second half "Late Lament" and, in fact, run for 4: For the second edited version with the song's writing credited to Hayward , the early parts of the song were kept intact, ending early at 4: Most single versions were backed with a non-LP B-side, "Cities".
Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2 's "Sold on Song Top " list.
The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder.
On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1 " The Day Begins ".
While it has been commonly known as part of "Nights in White Satin" with no separate credit on the original LP, "Late Lament" was given its own listing on the two-LP compilation This Is The Moody Blues in and again in without its parent song on another compilation, Prelude.
Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect.
The orchestral ending is kept intact, but mastering engineers edited out the gong struck by Mike Pinder that closes the track on the original LP.
From through the early s, the Moody Blues toured with shows backed by live orchestras. When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin".
On these occasions, Edge recited it himself, since Pinder was no longer in the band at that time. In the late s, the UK magazine Record Collector printed a claim that "Nights in White Satin" had not been written by Justin Hayward at all, but that in fact the Moody Blues' management had simply bought the song outright in from an Italian group called "Les Jelly Roll" and taken credit for it.
This claim seems to have arisen from the discovery of a 7" single by the Jelly Roll which carries the words "This is the original version of Nights in White Satin" on the label.
So, as a joke they appear not to have been a very serious band , they put the now-famous sentence on the cover. The work was reinterpreted as the focus of Nights in White Satin: The attraction, which included 3D- black light and fiber-optic lighting effects and purpose-made films, was developed by Sally Corporation and Jon Binkowski of Hard Rock Park.
Riders entered through a bead curtain, were provided 3D glasses, and upon return were greeted with the question, "How was your Trip?
The attraction operated as "The Trip" for the single season the park operated as Hard Rock Park, but was rethemed as "Monstars of Rock" with the sale and retitling of the park as Freestyle Music Park ; "park officials said the experience will be similar but the presentation will be changed.
The song appeared on Sandra's sixth studio album Fading Shades It was produced by Michael Cretu and received mixed reception from music critics.
The song was released as the lead single in the spring of see in music , although it failed to match the success of Sandra's previous singles.
The song peaked at 1 in Israel spending two weeks at the top , 17 in Finland, and 34 in New Zealand Sandra's only charting hit there. In Germany it only peaked at 86, becoming her least successful lead single in that country to date.
In the United Kingdom, it failed to enter the chart. The music video, directed by Angel Hart, showed only close ups of Sandra's face as she was pregnant at the time.
She even had to sit during the recording sessions of the album. Note that the Fading Shades album cover was taken from the music video.
From Wikipedia, the free encyclopedia. Symphonic rock   proto-prog  pop . Billboard Hot  2 U.
Billboard Adult Contemporary  37 U. Cash Box Top  1 U. Billboard  32 U. Cash Box  Retrieved 15 December Retrieved 25 March